Mark Twain’s ice cream social, st. charles, missouri, photo by Erik M. Lunsford
Mardi Gras float preparation, Soulard, St. Louis, Missouri. Photo by Erik M. Lunsford
It’s like I Heart Photograph, except it’s my own work.
Pastor Jones comforts Deacon Perkins, north St. Louis, Missouri. Photograph by Erik M. Lunsford
There is power in touch, and it’s a subtle gesture and a beautiful act. It instantly binds two people together in wondrous ways.
I absolutely love this recent photograph from a story about a local pastor building his church — Friendly Temple — in a distressed part of St. Louis. I was following him on one of his weekly senior center visits when he stopped to see his elder deacon. The older man barely lifted his eyelids, and Pastor Jones spent but just a few moments with him in such a cramped bedroom that entering the doorway became a challenge.
Every chance I study the image, a stiff chill darts down my spine. It’s something about the fingers barely gracing the forehead, the stark black shadows behind them, and the quiet and peaceful look on the deacon’s face. The checkered sheets wrap him in security, and the hospital bed rail nudges us back into stark reality.
It’s hard not to be emotionally attached to an image, because it’s easy to lose sight of the photograph’s strengths and weaknesses and learn from its mistakes. However, sometimes you just have to let go and love it for what it gives back to you.
Payson Park, Martin County, Florida, January 2005, Photo by Erik M. Lunsford/The Stuart News
Every so often I take a stroll through the archives, combing for images that help me remember who I am as a photojournalist. It’s like taking a walk through your own garden. You are captivated by the specimens that have grown with you. Some are prized, others aren’t. All speak in their own language of beauty because they each have a unique characteristic that led you to plant them in the first place. Occasionally, either through ourselves, or others, we sometimes lose sight of that beauty. These days we’re constantly pressed for time and production, and the language of newspaper photojournalism– or better said, the natural order of newspaper photojournalism — has evolved into somewhat of a numbers game. If we do x amount of pictures then we can translate that into y amount of hits. Or if we do x amount of posts, then we’ll get y amount of following. Are we really serving readers that way, or are we hoping to maximize revenue? Clearly the bottom line is, well, the bottom line, and it has to be a sustainable business model. That’s understandable, and if we need to do a lot more to maintain revenue, then count me in. I want the ship to sail, not to sink. The issue I see, however, is what happened to the language of composition, lens choice, use of light and color, or mood? When was the last time you looked at your edit and said to yourself — damn, I should have moved a little to the left or a little to the right, or how did I miss that light that was right in front of me? I sense a chilling grip of “good enough” these days, and that’s absolutely unacceptable. It doesn’t matter the medium of which images are communicated through, but rather the intrinsic value of the photograph and the art itself. Newsprint may well evolve into tablet e-readers or mobile applications — it doesn’t matter, we all move forward with technology. I have no doubt that photojournalism — and photography as a whole — will stand the test of time. Video has its place, but photography has the power to visually arrest. The recent tragedy in Haiti has unequivocally proved this. But has it become by and large a commodity of which only a few players — the elite photojournalists — are prized anymore, other than contests, for their specific style and work?
Checking the level of the kettle, St. Charles, Missouri, photo by Erik Lunsford
At home with the Martens, a 1950s-era household. Photo by Erik M. Lunsford. More retro images at STLtoday.com
Building blocks of light, downtown St. Louis, Missouri, photograph by Erik Lunsford
Revitalization of Dunbar Elementary, St. Louis, Missouri, Photo by Erik M. Lunsford
Funeral procession for Airman Brad Smith, Troy, Illinois. Photograph by Erik Lunsford, St. Louis Post-Dispatch
How does one get back into blogging after being on the fence for a few weeks? I assume you just get back on the blog horse.
I’m back.
Floating ice on the Mighty Mississippi with the Gateway Arch reflecting in the water, St. Louis, Missouri. Photo by Erik M. Lunsford
First, a very happy new year!
Second, it’s extraordinarily cold out there. Hibernation sounds tempting, doesn’t it?